A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 309
... Empathy really is . The first of these two main misinterpretations is based upon the reflexive form of the German verb " sich einfühlen " ( to feel oneself into ) and it defines , or rather does not define , Empathy as a metaphysical ...
... Empathy really is . The first of these two main misinterpretations is based upon the reflexive form of the German verb " sich einfühlen " ( to feel oneself into ) and it defines , or rather does not define , Empathy as a metaphysical ...
Pagina 310
... Empathy exists or tends to exist throughout our mental life . It is , indeed , one of our simpler , though far from absolutely elementary , psychological processes , entering into what is called imagination , sympathy , and also into ...
... Empathy exists or tends to exist throughout our mental life . It is , indeed , one of our simpler , though far from absolutely elementary , psychological processes , entering into what is called imagination , sympathy , and also into ...
Pagina 310
... Empathy exists or tends to exist throughout our mental life. It is, indeed, one of our simpler, though far from absolutely elementary, psychological processes, entering into what is called imagination, sympathy, and also into that ...
... Empathy exists or tends to exist throughout our mental life. It is, indeed, one of our simpler, though far from absolutely elementary, psychological processes, entering into what is called imagination, sympathy, and also into that ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word