A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 289
... empathy 2 Lipps ' Raumaesthetik , which contained the first exposition of his theory of empathy , was published in 1893-7 , but did not become known to Vernon Lee until 1899. Her own account was published two years before she discovered ...
... empathy 2 Lipps ' Raumaesthetik , which contained the first exposition of his theory of empathy , was published in 1893-7 , but did not become known to Vernon Lee until 1899. Her own account was published two years before she discovered ...
Pagina 309
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb " sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb " sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
Pagina 310
... Empathy exists or tends to exist throughout our mental life . It is , indeed , one of our sim- pler , though far from absolutely elementary , psychological processes , entering into what is called imagination , sym- pathy , and also ...
... Empathy exists or tends to exist throughout our mental life . It is , indeed , one of our sim- pler , though far from absolutely elementary , psychological processes , entering into what is called imagination , sym- pathy , and also ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words