A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 59
... Greek soul , is one of the great riddles which made me feel drawn to the essence of Hellenism . At bottom , I trou- bled about nothing save the solution of the question , why precisely Greek Apollonianism should have been forced to grow ...
... Greek soul , is one of the great riddles which made me feel drawn to the essence of Hellenism . At bottom , I trou- bled about nothing save the solution of the question , why precisely Greek Apollonianism should have been forced to grow ...
Pagina 333
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Other- wise Greek Art , even of a religious type , is remarkable ...
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Other- wise Greek Art , even of a religious type , is remarkable ...
Pagina 447
... Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation ... Greek thinkers nevertheless disparaged experience in comparison with something called reason and science . The ...
... Greeks , signified a store of practical wisdom , a fund of insights useful in conducting the affairs of life . Sensation ... Greek thinkers nevertheless disparaged experience in comparison with something called reason and science . The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word