A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 362
... be unceasingly quali- fied by the unsymmetrical and arhythmic . " Beauty : An Interpretation of Art and the Imaginative Life , Chapter V. HUGO MÜNSTERBERG CONNECTION IN SCIENCE AND ISOLATION IN ART It 362 ISOLATION AND EQUILIBRIUM.
... be unceasingly quali- fied by the unsymmetrical and arhythmic . " Beauty : An Interpretation of Art and the Imaginative Life , Chapter V. HUGO MÜNSTERBERG CONNECTION IN SCIENCE AND ISOLATION IN ART It 362 ISOLATION AND EQUILIBRIUM.
Pagina 373
... separated from its causes and effects if we want to manage the affairs of practical life ? But is that really the only end in our existence ; is the world really for us merely a material to be used and never HUGO MÜNSTERBERG 373.
... separated from its causes and effects if we want to manage the affairs of practical life ? But is that really the only end in our existence ; is the world really for us merely a material to be used and never HUGO MÜNSTERBERG 373.
Pagina 490
... Hugo Münsterberg , Ethel Puffer ( Mrs. E. D. P. Howes ) , Charles K. Ogden , I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : " The ...
... Hugo Münsterberg , Ethel Puffer ( Mrs. E. D. P. Howes ) , Charles K. Ogden , I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : " The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words