A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 356
... eighteenth century , which possesses so little character , possesses style to the point of saturation . -La Deshumanización del Arte ( 1925 ) CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM 1. HUGO MÜNSTERBERG 356 PSYCHOLOGICAL DETACHMENT.
... eighteenth century , which possesses so little character , possesses style to the point of saturation . -La Deshumanización del Arte ( 1925 ) CHAPTER X THEORIES OF ISOLATION AND EQUILIBRIUM 1. HUGO MÜNSTERBERG 356 PSYCHOLOGICAL DETACHMENT.
Pagina 375
... and thus a part of science . But the beautiful sunset there over the ocean in real nature is not less separated from the world , and , if we connect it with that which was before and with that which will HUGO MÜNSTERBERG 375.
... and thus a part of science . But the beautiful sunset there over the ocean in real nature is not less separated from the world , and , if we connect it with that which was before and with that which will HUGO MÜNSTERBERG 375.
Pagina 490
... Hugo Münsterberg , Ethel Puffer ( Mrs. E. D. P. Howes ) , Charles K. Ogden , I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : " The ...
... Hugo Münsterberg , Ethel Puffer ( Mrs. E. D. P. Howes ) , Charles K. Ogden , I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : " The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word