A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 379
... a unity . And this balance of impulses , this inhibition of movement , corresponding to unity , is what we know as esthetic repose . Thus the conditions of esthetic repose and of the loss ... I. A. RICHARDS AND JAMES WOOD ETHEL D. PUFFER 379.
... a unity . And this balance of impulses , this inhibition of movement , corresponding to unity , is what we know as esthetic repose . Thus the conditions of esthetic repose and of the loss ... I. A. RICHARDS AND JAMES WOOD ETHEL D. PUFFER 379.
Pagina 490
... I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : " The Esthetic Values . " Boston and New York , 1909. " The Problem of Beauty " in ...
... I. A. Richards , and James Wood . Münsterberg : The Principles of Art Education . New York , Boston , Chicago , 1905. The Eternal Values . Part III : " The Esthetic Values . " Boston and New York , 1909. " The Problem of Beauty " in ...
Pagina 503
... Richards, I. A., 361-362, 380-384, 387, 400-491 Romanticism (see also Classicism, Appolonian and Dionysian), 62, 169-172, 206-207, 217, 222, 224- 226, 241, 461-462 Rubens, 62, 97 Ruskin, John, 194, 423, 435 Santayana, George, 118-121 ...
... Richards, I. A., 361-362, 380-384, 387, 400-491 Romanticism (see also Classicism, Appolonian and Dionysian), 62, 169-172, 206-207, 217, 222, 224- 226, 241, 461-462 Rubens, 62, 97 Ruskin, John, 194, 423, 435 Santayana, George, 118-121 ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word