A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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An Anthology Melvin Miller Rader. 2. GEORGE SANTAYANA : THE ESTHETIC CATEGO- RIES . From The Sense of Beauty and The Philosophical Review , 1925 . V. THEORIES OF INTUITION AND TECH- NIQUE 1. BENEDETTO CROCE : INTUITION AND EXPRESSION ...
An Anthology Melvin Miller Rader. 2. GEORGE SANTAYANA : THE ESTHETIC CATEGO- RIES . From The Sense of Beauty and The Philosophical Review , 1925 . V. THEORIES OF INTUITION AND TECH- NIQUE 1. BENEDETTO CROCE : INTUITION AND EXPRESSION ...
Pagina 285
An Anthology Melvin Miller Rader. CHAPTER VIII THEORIES OF EMPATHY 1. THEODOR LIPPS : EMPATHY , INNER IMITATION , AND SENSE - FEEL- INGS . From Archiv für die gesamte Psychologie ( Translated by Max Schertel and Melvin M. Rader ) . 2 ...
An Anthology Melvin Miller Rader. CHAPTER VIII THEORIES OF EMPATHY 1. THEODOR LIPPS : EMPATHY , INNER IMITATION , AND SENSE - FEEL- INGS . From Archiv für die gesamte Psychologie ( Translated by Max Schertel and Melvin M. Rader ) . 2 ...
Pagina 311
An Anthology Melvin Miller Rader. CHAPTER IX THEORIES OF PSYCHOLOGICAL DETACHMENT 1. EDWARD BULLOUGH : PSYCHICAL DISTANCE . From the British Journal of Psychology . 2. JOSÉ ORTEGA Y GASSET : THE DEHUMANIZATION OF ART . From La ...
An Anthology Melvin Miller Rader. CHAPTER IX THEORIES OF PSYCHOLOGICAL DETACHMENT 1. EDWARD BULLOUGH : PSYCHICAL DISTANCE . From the British Journal of Psychology . 2. JOSÉ ORTEGA Y GASSET : THE DEHUMANIZATION OF ART . From La ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words