A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 387
... OSWALD SPENGLER ( 1880-1936 ) is that art is part of the complex of the entire culture , and foredoomed in our own time to decay because of the senility of Western Culture . As Walter Pater once said : " In every age there is a peculiar ...
... OSWALD SPENGLER ( 1880-1936 ) is that art is part of the complex of the entire culture , and foredoomed in our own time to decay because of the senility of Western Culture . As Walter Pater once said : " In every age there is a peculiar ...
Pagina 491
... Oswald Spengler and Lewis Mumford Spengler , O .: The Decline of the West . Two Volumes . ( Translated by Charles Francis Atkinson . ) New York , 1928 . Mumford , L .: " Machinery and the Modern Style " in New Republic , XXVII ( Aug. 3 ...
... Oswald Spengler and Lewis Mumford Spengler , O .: The Decline of the West . Two Volumes . ( Translated by Charles Francis Atkinson . ) New York , 1928 . Mumford , L .: " Machinery and the Modern Style " in New Republic , XXVII ( Aug. 3 ...
Pagina 503
... Spengler, Oswald, 387-388, 390- 403, 423, 491-492 Spinoza, 206, 226 Style, 95-98, 356; of a culture, 399- 403 Subject in Art, 94-95, 255, 269-270, 464-465 Subjectivity of Beauty and Art (see also Objectivity, Objectifi- cation, Empathy) ...
... Spengler, Oswald, 387-388, 390- 403, 423, 491-492 Spinoza, 206, 226 Style, 95-98, 356; of a culture, 399- 403 Subject in Art, 94-95, 255, 269-270, 464-465 Subjectivity of Beauty and Art (see also Objectivity, Objectifi- cation, Empathy) ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word