A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina ix
An Anthology Melvin Miller Rader. IX . THEORIES OF PSYCHOLOGICAL DETACH- MENT 1. EDWARD BULLOUGH : PSYCHICAL DISTANCE ... Psychology of Beauty . 3. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD : SYNAESTHESIS . From The Foundations of ...
An Anthology Melvin Miller Rader. IX . THEORIES OF PSYCHOLOGICAL DETACH- MENT 1. EDWARD BULLOUGH : PSYCHICAL DISTANCE ... Psychology of Beauty . 3. C. K. OGDEN , I. A. RICHARDS , AND JAMES WOOD : SYNAESTHESIS . From The Foundations of ...
Pagina 360
... beautiful object as possessing those qualities which bring the personality into a state of unity and selfcompleteness . How those ... Psychology of Beauty , p . 49 . its own way , leads us on an excursion of 360 ISOLATION AND EQUILIBRIUM.
... beautiful object as possessing those qualities which bring the personality into a state of unity and selfcompleteness . How those ... Psychology of Beauty , p . 49 . its own way , leads us on an excursion of 360 ISOLATION AND EQUILIBRIUM.
Pagina 490
... Psychology of Beauty . Boston and New York , 1905 . " Esthetics " in Psychological Bulletin , X ( 1913 ) , pp . 196-201 . " The Foundations of Esthetics " in Proceedings of the Sixth International Congress of Philosophy . Op . cit . Pp ...
... Psychology of Beauty . Boston and New York , 1905 . " Esthetics " in Psychological Bulletin , X ( 1913 ) , pp . 196-201 . " The Foundations of Esthetics " in Proceedings of the Sixth International Congress of Philosophy . Op . cit . Pp ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word