A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 206
... RAMON FERNANDEZ ( 1882- ) , a French literary critic of Spanish - American antecedents . In contrast to Maritain , Fernandez writes : " France must be persuaded that the greatness of the West lies not so much in Christianity's mingled ...
... RAMON FERNANDEZ ( 1882- ) , a French literary critic of Spanish - American antecedents . In contrast to Maritain , Fernandez writes : " France must be persuaded that the greatness of the West lies not so much in Christianity's mingled ...
Pagina 219
... the grand siècle had definite problems to solve ; it is by no means clear that all these problems were put by the classic spirit , nor that the successes of the again , and , like man himself , it achieves RAMON FERNANDEZ 219.
... the grand siècle had definite problems to solve ; it is by no means clear that all these problems were put by the classic spirit , nor that the successes of the again , and , like man himself , it achieves RAMON FERNANDEZ 219.
Pagina 484
... Ramon Fernandez Maritain : Art and Scholasticism . ( Translated by J. F. Scanlan . ) New York and London , 1930. Introduction to Philosophy . ( Translated by E. I. Watkin . ) New York , 1930 . ( Includes a discussion of esthetics ...
... Ramon Fernandez Maritain : Art and Scholasticism . ( Translated by J. F. Scanlan . ) New York and London , 1930. Introduction to Philosophy . ( Translated by E. I. Watkin . ) New York , 1930 . ( Includes a discussion of esthetics ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word