A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina iv
... Roger Fry's essay " The Artist and Psycho- Analysis " ; to Rhys Carpenter and Bryn Mawr College , for a selection from Carpenter's The Esthetic Basis of Greek Art ; to the Cambridge University Press , for the chapter on " Empathy ...
... Roger Fry's essay " The Artist and Psycho- Analysis " ; to Rhys Carpenter and Bryn Mawr College , for a selection from Carpenter's The Esthetic Basis of Greek Art ; to the Cambridge University Press , for the chapter on " Empathy ...
Pagina viii
... ROGER FRY : PURE AND IMPURE Art . From The Hogarth Essays ( Essay on " The Artist and Psycho - Analysis " ) . 4. RHYS CARPENTER : THE FORMS OF ARTISTIC PRESENTATION . From The Esthetic Basis of Greek Art . VIII . THEORIES OF EMPATHY 1 ...
... ROGER FRY : PURE AND IMPURE Art . From The Hogarth Essays ( Essay on " The Artist and Psycho - Analysis " ) . 4. RHYS CARPENTER : THE FORMS OF ARTISTIC PRESENTATION . From The Esthetic Basis of Greek Art . VIII . THEORIES OF EMPATHY 1 ...
Pagina 486
... Roger Fry , and Rhys Carpenter Parker : See works listed under Chapter II . Bell : " Post - impressionism and Asthetics " in Burlington Mag- azine , XXII ( 1912-13 ) , pp . 226-230 . Art . New York , 1914 . " Art and War " in ...
... Roger Fry , and Rhys Carpenter Parker : See works listed under Chapter II . Bell : " Post - impressionism and Asthetics " in Burlington Mag- azine , XXII ( 1912-13 ) , pp . 226-230 . Art . New York , 1914 . " Art and War " in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words