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ROGER FRY: Pure and Impure Art. From The Hogarth Essays (Essay on "The
Artist and Psycho- Analysis"). 4. RHYS CARPENTER: The Forms of Artistic
Presentation. From The Esthetic Basis of Greek Art. VIII. THEORIES OF
EMPATHY 285 ...
ROGER FRY: Pure and Impure Art. From The Hogarth Essays (Essay on "The
Artist and Psycho- Analysis"). 4. RHYS CARPENTER: The Forms of Artistic
Presentation. From The Esthetic Basis of Greek Art. VIII. THEORIES OF
EMPATHY 285 ...
Pagina 486
CHAPTER VII: THEORIES OF FORM Works by DeWitt Parker, Clive Bell, Roger
Fry, and Rhys Carpenter Parker: See works listed under Chapter II. Bell: "Post-
impressionism and ^Esthetics" in Burlington Mag- azine, XXII (1912-13), pp.
CHAPTER VII: THEORIES OF FORM Works by DeWitt Parker, Clive Bell, Roger
Fry, and Rhys Carpenter Parker: See works listed under Chapter II. Bell: "Post-
impressionism and ^Esthetics" in Burlington Mag- azine, XXII (1912-13), pp.
Pagina 487
(Translated by Roger Fry.) London, 1927. Munro, Thomas: Scientific Method in
Aesthetics. Chapter II. New York, 1928. Parkhurst, Helen Huss: Beauty: an
Interpretation of Art and the Imaginative Life. Chapter IV. New York, 1930. Pater,
Walter: ...
(Translated by Roger Fry.) London, 1927. Munro, Thomas: Scientific Method in
Aesthetics. Chapter II. New York, 1928. Parkhurst, Helen Huss: Beauty: an
Interpretation of Art and the Imaginative Life. Chapter IV. New York, 1930. Pater,
Walter: ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words