A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxiv
... the scientists , they are intuitive , not intellectual . The nature of the artist's intuition is suggested by T. E. Hulme , a brilliant disciple of Bergson : " Tennyson seems to have waited for his expression to come to him - to have ...
... the scientists , they are intuitive , not intellectual . The nature of the artist's intuition is suggested by T. E. Hulme , a brilliant disciple of Bergson : " Tennyson seems to have waited for his expression to come to him - to have ...
Pagina 482
... the Meaning of the Comic . ( Translated by Cloudesley Brereton and Fred Rothwell . ) New York , 1911. Introduction to Metaphysics . ( Trans- lated by T. E. Hulme . ) New York , 1912 . Bosanquet : History of Esthetic . London , 1904 ...
... the Meaning of the Comic . ( Translated by Cloudesley Brereton and Fred Rothwell . ) New York , 1911. Introduction to Metaphysics . ( Trans- lated by T. E. Hulme . ) New York , 1912 . Bosanquet : History of Esthetic . London , 1904 ...
Pagina 488
... The Beautiful . Cambridge , 1913. Laurus Nobilis . Lon- don , 1909. Music and Its Lovers . New York , 1932. Bel- caro : Essays on ... T. E. Hulme . ) For further references to the general theory of Empathy consult the Psychological Index ...
... The Beautiful . Cambridge , 1913. Laurus Nobilis . Lon- don , 1909. Music and Its Lovers . New York , 1932. Bel- caro : Essays on ... T. E. Hulme . ) For further references to the general theory of Empathy consult the Psychological Index ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words