A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxiv
... the scientists , they are intuitive , not intellectual . The nature of the artist's intuition is suggested by T. E. Hulme , a brilliant disciple of Bergson : " Tennyson seems to have waited for his expression to come to him - to have ...
... the scientists , they are intuitive , not intellectual . The nature of the artist's intuition is suggested by T. E. Hulme , a brilliant disciple of Bergson : " Tennyson seems to have waited for his expression to come to him - to have ...
Pagina 482
... the Meaning of the Comic . ( Translated by Cloudesley Brereton and Fred Rothwell . ) New York , 1911. Introduction to Metaphysics . ( Trans- lated by T. E. Hulme . ) New York , 1912 . Bosanquet : History of Esthetic . London , 1904 ...
... the Meaning of the Comic . ( Translated by Cloudesley Brereton and Fred Rothwell . ) New York , 1911. Introduction to Metaphysics . ( Trans- lated by T. E. Hulme . ) New York , 1912 . Bosanquet : History of Esthetic . London , 1904 ...
Pagina 488
... The Beautiful . Cambridge , 1913. Laurus Nobilis . London , 1909. Music and Its Lovers . New York , 1932. Belcaro : Essays on ... T. E. Hulme . ) For further references to the general theory of Empathy consult the Psychological Index ...
... The Beautiful . Cambridge , 1913. Laurus Nobilis . London , 1909. Music and Its Lovers . New York , 1932. Belcaro : Essays on ... T. E. Hulme . ) For further references to the general theory of Empathy consult the Psychological Index ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word