A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 287
... THEODOR LIPPS ( 1851-1914 ) . He maintains that the formal elements acquire meaning for the imagination only because we project our activities and feelings into them . Thus form as an esthetic value is not an objective fact . It is a ...
... THEODOR LIPPS ( 1851-1914 ) . He maintains that the formal elements acquire meaning for the imagination only because we project our activities and feelings into them . Thus form as an esthetic value is not an objective fact . It is a ...
Pagina 290
... Lipps to speak of the ego as at one with the object . Empathy , according to his view , is based partly upon a feeling of " self - value . " The unity and ... THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - 290 THEORIES OF EMPATHY.
... Lipps to speak of the ego as at one with the object . Empathy , according to his view , is based partly upon a feeling of " self - value . " The unity and ... THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - 290 THEORIES OF EMPATHY.
Pagina 488
An Anthology Melvin Miller Rader. CHAPTER VIII : THEORIES OF EMPATHY Works by Theodor Lipps and Vernon Lee ( Violet Paget ) Lipps : Esthetik . Two Volumes . Hamburg and Leipzig , 1903. " Einfühling , innere Nachahmung und ...
An Anthology Melvin Miller Rader. CHAPTER VIII : THEORIES OF EMPATHY Works by Theodor Lipps and Vernon Lee ( Violet Paget ) Lipps : Esthetik . Two Volumes . Hamburg and Leipzig , 1903. " Einfühling , innere Nachahmung und ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word