A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Risultati 1-3 di 13
Pagina viii
... THEODOR LIPPS : EMPATHY , INNER IMITATION , AND SENSE - FEELINGS . From Archiv für die gesamte Psychologie ( Trans- lated by Max Schertel and Melvin M. Rader ) . 2. VERNON LEE : EMPATHY . From The Beautiful . 153 203 227 285 IX ...
... THEODOR LIPPS : EMPATHY , INNER IMITATION , AND SENSE - FEELINGS . From Archiv für die gesamte Psychologie ( Trans- lated by Max Schertel and Melvin M. Rader ) . 2. VERNON LEE : EMPATHY . From The Beautiful . 153 203 227 285 IX ...
Pagina 287
... THEODOR LIPPS ( 1851-1914 ) . He maintains that the for- mal elements acquire meaning for the imagination only be- cause we project our activities and feelings into them . Thus form as an esthetic value is not an objective fact . It is ...
... THEODOR LIPPS ( 1851-1914 ) . He maintains that the for- mal elements acquire meaning for the imagination only be- cause we project our activities and feelings into them . Thus form as an esthetic value is not an objective fact . It is ...
Pagina 290
... Lipps to speak of the ego as at one with the object . Empathy , according to his view , is based partly upon a feeling of " self - value . " The unity ... THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - 290 THEORIES OF EMPATHY.
... Lipps to speak of the ego as at one with the object . Empathy , according to his view , is based partly upon a feeling of " self - value . " The unity ... THEODOR LIPPS EMPATHY , INNER IMITATION , AND SENSE - 290 THEORIES OF EMPATHY.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words