A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 229
... abstract relation of colors or sounds apart from their suggestiveness or dramatic import . On the contrary , it is the organization of all the elements - pure sensuous materials , representations , and connotations - into a single and ...
... abstract relation of colors or sounds apart from their suggestiveness or dramatic import . On the contrary , it is the organization of all the elements - pure sensuous materials , representations , and connotations - into a single and ...
Pagina 275
... abstract pattern of lines . What is the emotional value of this abstract pattern ? That would be hard to say . It is possible to make a drawing of such an underlying pattern without suggesting the silhouette of a human figure , and any ...
... abstract pattern of lines . What is the emotional value of this abstract pattern ? That would be hard to say . It is possible to make a drawing of such an underlying pattern without suggesting the silhouette of a human figure , and any ...
Pagina 414
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word