A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 275
... abstract pattern of lines . What is the emotional value of this abstract pattern ? That would be hard to say . It is possible to make a draw- ing of such an underlying pattern without suggesting the silhouette of a human figure , and ...
... abstract pattern of lines . What is the emotional value of this abstract pattern ? That would be hard to say . It is possible to make a draw- ing of such an underlying pattern without suggesting the silhouette of a human figure , and ...
Pagina 277
... abstract formal values in the field of vision and the fusion of these with the normal process of recognition of the objects , so that there results an emotional ( instead of a merely pragmatic or practical ) apprehension . If this is so ...
... abstract formal values in the field of vision and the fusion of these with the normal process of recognition of the objects , so that there results an emotional ( instead of a merely pragmatic or practical ) apprehension . If this is so ...
Pagina 414
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
... abstract mechanical forms was pushed further by the constructivists . Artists like Grabo and Moholy - Nagy put together pieces of abstract sculpture , composed of glass , metal plates , spiral springs , wood , which were the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words