A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Risultati 1-3 di 53
Pagina 172
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
Pagina 181
... action , tempted by it , for our own good , on to the field it has selected , we live in a zone midway between things and ourselves , externally to things , externally also to our- selves . From time to time , however , in a fit of ...
... action , tempted by it , for our own good , on to the field it has selected , we live in a zone midway between things and ourselves , externally to things , externally also to our- selves . From time to time , however , in a fit of ...
Pagina 222
... action seem by their very nature to escape judgment . When we feel and when we act we are closely aware of ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution ...
... action seem by their very nature to escape judgment . When we feel and when we act we are closely aware of ourselves , and at the same time we think ourselves indefinable . Our inner world seems incommunicable . The romantic revolution ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words