A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 292
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
Pagina 295
... activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some ...
... activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some ...
Pagina 298
... activity in this imi- tation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I ex- perience as derived entirely from the contemplation of the perceived movement . It is ...
... activity in this imi- tation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I ex- perience as derived entirely from the contemplation of the perceived movement . It is ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word