A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 104
... activity of art is a most important one , as important as the activity of speech itself , and as generally diffused . . We are accustomed to understand art to be only what we hear and see in theaters , concerts , and exhibitions ; to ...
... activity of art is a most important one , as important as the activity of speech itself , and as generally diffused . . We are accustomed to understand art to be only what we hear and see in theaters , concerts , and exhibitions ; to ...
Pagina 292
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
Pagina 295
... activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some ...
... activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words