A Modern Book of Esthetics: An Anthology |
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Pagina 292
In short , I feel a multifarious " inner activity . ” And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment .
In short , I feel a multifarious " inner activity . ” And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment .
Pagina 295
But this activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice ...
But this activity does not , in the full sense , take place in the arm , i.e. , it is not tied up with the contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice ...
Pagina 298
My inner activity in this imitation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I experience as derived entirely from the contemplation of the perceived movement .
My inner activity in this imitation is exclusively bound up in a two - fold sense with the observed object . First - the activity which I feel , I experience as derived entirely from the contemplation of the perceived movement .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole