A Modern Book of Esthetics: An Anthology |
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Pagina xxxiv
... the esthetic arises out of the actual. The eye is gratified by the new architecturet not alone because its order and composure is the essence of all sound architecture; the eye is likewise happy because every other function of the ...
... the esthetic arises out of the actual. The eye is gratified by the new architecturet not alone because its order and composure is the essence of all sound architecture; the eye is likewise happy because every other function of the ...
Pagina 275
In the statue of Herakles the right angles in which the lines and masses meet do not in themselves represent anything , any more than a geometric theorem represents actual objects ( however much actual objects may exemplify and embody ...
In the statue of Herakles the right angles in which the lines and masses meet do not in themselves represent anything , any more than a geometric theorem represents actual objects ( however much actual objects may exemplify and embody ...
Pagina 339
а greater Distance - because neither their space ( perspective and imaginary space ) nor their lighting coincides with our ( actual ) space or light , and the usual reduction in scale of the represented objects prevents a feeling of ...
а greater Distance - because neither their space ( perspective and imaginary space ) nor their lighting coincides with our ( actual ) space or light , and the usual reduction in scale of the represented objects prevents a feeling of ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole