A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 199
... actual vibrations of the sound , the bodily experience I am aware of in saying it , is alive with the history of England which passed into the words in the usage and formation of the language . Up to a certain point , language is poetry ...
... actual vibrations of the sound , the bodily experience I am aware of in saying it , is alive with the history of England which passed into the words in the usage and formation of the language . Up to a certain point , language is poetry ...
Pagina 321
... actual and admitted unreality of the dramatic action reënforces the effect of Distance . But surely the proverbial unsophisticated yokel whose chivalrous interference in the play on behalf of the hapless heroine can only be prevented by ...
... actual and admitted unreality of the dramatic action reënforces the effect of Distance . But surely the proverbial unsophisticated yokel whose chivalrous interference in the play on behalf of the hapless heroine can only be prevented by ...
Pagina 339
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per ...
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words