A Modern Book of Esthetics: An Anthology |
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Pagina xxxiv
... the esthetic arises out of the actual. The eye is gratified by the new architecturet not alone because its order and composure is the essence of all sound architecture; the eye is likewise happy because every other function of the ...
... the esthetic arises out of the actual. The eye is gratified by the new architecturet not alone because its order and composure is the essence of all sound architecture; the eye is likewise happy because every other function of the ...
Pagina 275
In the statue of Herakles the right angles in which the lines and masses meet do not in themselves represent anything , any more than a geometric theorem represents actual objects ( however much actual objects may exemplify and embody ...
In the statue of Herakles the right angles in which the lines and masses meet do not in themselves represent anything , any more than a geometric theorem represents actual objects ( however much actual objects may exemplify and embody ...
Pagina 339
greater Distance - because neither their space ( perspective and imaginary space ) nor their lighting coincides with our ( actual ) space or light , and the usual reduction in scale of the represented objects prevents a feeling of undue ...
greater Distance - because neither their space ( perspective and imaginary space ) nor their lighting coincides with our ( actual ) space or light , and the usual reduction in scale of the represented objects prevents a feeling of undue ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word