A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 112
... appears with such convincing clearness as in the Dionysiac monuments of classical art . The frieze around the Bacchic ... appear that it is real distress which compels the dancers to seek in ever - increasing excitement deliverance from ...
... appears with such convincing clearness as in the Dionysiac monuments of classical art . The frieze around the Bacchic ... appear that it is real distress which compels the dancers to seek in ever - increasing excitement deliverance from ...
Pagina 343
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
Pagina 391
... appear , like the corresponding decline of the Classical Culture , a phenomenon limited in time and space , we now ... appear at this or that time are , per se , but what they signify , what they point to , by appearing . Present - day ...
... appear , like the corresponding decline of the Classical Culture , a phenomenon limited in time and space , we now ... appear at this or that time are , per se , but what they signify , what they point to , by appearing . Present - day ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words