A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 112
... appears with such convincing clearness as in the Dionysiac monuments of classical art . The frieze around the Bacchic candelabra in the Louvre proves better than any psychological analysis to how great a degree the Dionysiac state is ...
... appears with such convincing clearness as in the Dionysiac monuments of classical art . The frieze around the Bacchic candelabra in the Louvre proves better than any psychological analysis to how great a degree the Dionysiac state is ...
Pagina 175
... appears with the other at the same instant , because they are not two , but one . LA'S Постлесте The principal reason which makes our view appear para- doxical as we maintain it , is the illusion or prejudice that we possess a more ...
... appears with the other at the same instant , because they are not two , but one . LA'S Постлесте The principal reason which makes our view appear para- doxical as we maintain it , is the illusion or prejudice that we possess a more ...
Pagina 235
... appears in a different color , or a color appears in different degrees of saturation or brightness ; or in architecture , where a shape occurs DEWITT H. PARKER 235.
... appears in a different color , or a color appears in different degrees of saturation or brightness ; or in architecture , where a shape occurs DEWITT H. PARKER 235.
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words