A Modern Book of Esthetics: An Anthology |
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Pagina 234
Yet at the moment of appreciation , all such knowledge becomes focused in the work of art , gathered and contained there like rays in a prism , and does not divert us from it . ཉ་ The ancient law of organic unity is the master principle ...
Yet at the moment of appreciation , all such knowledge becomes focused in the work of art , gathered and contained there like rays in a prism , and does not divert us from it . ཉ་ The ancient law of organic unity is the master principle ...
Pagina 324
In their interplay they afford one of the most extensive ex- planations for varieties of esthetic experience , since loss of Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may ...
In their interplay they afford one of the most extensive ex- planations for varieties of esthetic experience , since loss of Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may ...
Pagina 461
Emphasize the latter , and appreciation is of the classic type . This type fits conditions where production ... Any work of art that persistently retains its power to generate enjoyed perception or appreciation becomes in time classic .
Emphasize the latter , and appreciation is of the classic type . This type fits conditions where production ... Any work of art that persistently retains its power to generate enjoyed perception or appreciation becomes in time classic .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word