A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 87
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
Pagina 88
... artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its possession gives him his claim to the name of artist . Without wishing or even knowing it , he molds the ...
... artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its possession gives him his claim to the name of artist . Without wishing or even knowing it , he molds the ...
Pagina 260
... artist's emotion . Are we to suppose , then , that the artist feels , or sometimes feels , for material beauty what we feel for a work of art ? Can it be that sometimes for the artist material beauty is somehow significant - that is ...
... artist's emotion . Are we to suppose , then , that the artist feels , or sometimes feels , for material beauty what we feel for a work of art ? Can it be that sometimes for the artist material beauty is somehow significant - that is ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word