A Modern Book of Esthetics: An Anthology |
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Pagina 87
II What We Admire in a Work of Art is the Genius of the Artist . ... Some artists , and these not the least capable , are quite convinced that when they have a model before them , their one duty is to imitate it .
II What We Admire in a Work of Art is the Genius of the Artist . ... Some artists , and these not the least capable , are quite convinced that when they have a model before them , their one duty is to imitate it .
Pagina 88
To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they ... the more clearly each part communicates the impression of the artist , whether of grandeur , of melancholy or of joy ...
To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they ... the more clearly each part communicates the impression of the artist , whether of grandeur , of melancholy or of joy ...
Pagina 260
The contemplation of natural objects is often the immediate cause of the artist's emotion . Are we to suppose , then , that the artist feels , or sometimes feels , for material beauty what we feel for a work of art ?
The contemplation of natural objects is often the immediate cause of the artist's emotion . Are we to suppose , then , that the artist feels , or sometimes feels , for material beauty what we feel for a work of art ?
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word