A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 181
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
Pagina 350
... aspect of the world - persons , things , situations , that is to say , reality as being " lived " : from the other extreme , on the other hand , we see everything in its aspects " as contemplated reality . " Upon arriving at this point ...
... aspect of the world - persons , things , situations , that is to say , reality as being " lived " : from the other extreme , on the other hand , we see everything in its aspects " as contemplated reality . " Upon arriving at this point ...
Pagina 442
... aspect of the country . This is the condition of England : of England the coun- try of order , peace , and stability , the land of common sense and practicality ; the country to which all eyes are turned of those whose hope is for the ...
... aspect of the country . This is the condition of England : of England the coun- try of order , peace , and stability , the land of common sense and practicality ; the country to which all eyes are turned of those whose hope is for the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words