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Pagina 236
Another principle of esthetic form is balance. Balance is equality of opposing or
contrasting elements. Balance is one kind of esthetic unity, for despite the
opposition of the elements in balance, each needs the other and together they
create a ...
Another principle of esthetic form is balance. Balance is equality of opposing or
contrasting elements. Balance is one kind of esthetic unity, for despite the
opposition of the elements in balance, each needs the other and together they
create a ...
Pagina 237
And even when, as may occur in painting, there is balance between elements of
unlike quality— balance, say, of brightness of color against distance or size— the
attention value of each must be the same, though opposed in direction.
And even when, as may occur in painting, there is balance between elements of
unlike quality— balance, say, of brightness of color against distance or size— the
attention value of each must be the same, though opposed in direction.
Pagina 239
In the diaper pattern, for example, there is the recurrence of the rising and falling
lines, and their opposition and balance, two by two. Or a colonnade, as you
apprehend the columns in succession, is a rhythm of identical and balancing
filled ...
In the diaper pattern, for example, there is the recurrence of the rising and falling
lines, and their opposition and balance, two by two. Or a colonnade, as you
apprehend the columns in succession, is a rhythm of identical and balancing
filled ...
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Indice
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |