A Modern Book of Esthetics: An Anthology |
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Pagina 236
Another principle of esthetic form is balance . Balance is equality of opposing or
contrasting elements . Balance is one kind of esthetic unity , for despite the
opposition of the elements in balance , each needs the other and together they
create ...
Another principle of esthetic form is balance . Balance is equality of opposing or
contrasting elements . Balance is one kind of esthetic unity , for despite the
opposition of the elements in balance , each needs the other and together they
create ...
Pagina 237
And even when , as may occur in painting , there is balance between elements of
unlike quality - balance , say , of brightness of color against distance or size - the
attention value of each must be the same , though opposed in direction .
And even when , as may occur in painting , there is balance between elements of
unlike quality - balance , say , of brightness of color against distance or size - the
attention value of each must be the same , though opposed in direction .
Pagina 239
In the diaper pattern , for example , there is the recurrence of the rising and falling
lines , and their opposition and balance , two by two . Or a colonnade , as you
apprehend the columns in succession , is a rhythm of identical and balancing ...
In the diaper pattern , for example , there is the recurrence of the rising and falling
lines , and their opposition and balance , two by two . Or a colonnade , as you
apprehend the columns in succession , is a rhythm of identical and balancing ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |