A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 236
... balance . Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
... balance . Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
Pagina 237
... balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in direction . The essential thing about balance is equality of ...
... balance between elements of unlike quality - balance , say , of brightness of color against distance or size - the attention value of each must be the same , though opposed in direction . The essential thing about balance is equality of ...
Pagina 239
... balance -between the rising and falling swings . The simplest re- peat , if you take its elements in succession , is ... balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance ...
... balance -between the rising and falling swings . The simplest re- peat , if you take its elements in succession , is ... balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words