A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 119
... beauty : the sensuous beauty of the physical stuff ; the formal beauty of the de- sign ; and the expressive beauty of the meaning and conno- tations ultimately derived from past experience . To the last division belongs the effect of ...
... beauty : the sensuous beauty of the physical stuff ; the formal beauty of the de- sign ; and the expressive beauty of the meaning and conno- tations ultimately derived from past experience . To the last division belongs the effect of ...
Pagina 208
... beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what is after their own kind ...
... beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly pro- portioned , as in what is after their own kind ...
Pagina 210
... Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends ...
... Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word