A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 267
An Anthology Melvin Miller Rader. become symbolical of numerous other things with which it has become associated . Now this simple case presents in easy form some of the problems which confront us in works of art of all kinds . The form ...
An Anthology Melvin Miller Rader. become symbolical of numerous other things with which it has become associated . Now this simple case presents in easy form some of the problems which confront us in works of art of all kinds . The form ...
Pagina 383
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic ex- perience . We become impersonal or disinterested . " Yet once more , O ye Laurels , and once more Ye ...
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic ex- perience . We become impersonal or disinterested . " Yet once more , O ye Laurels , and once more Ye ...
Pagina 384
... becomes differentiated or isolated from the individualities of things around us . We become less " mixed into " other things . As we become more ourselves they become more themselves , because we are less depend- ent upon the particular ...
... becomes differentiated or isolated from the individualities of things around us . We become less " mixed into " other things . As we become more ourselves they become more themselves , because we are less depend- ent upon the particular ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words