A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 267
An Anthology Melvin Miller Rader. become symbolical of numerous other things with which it has become associated . Now this simple case presents in easy form some of the problems which confront us in works of art of all kinds . The form ...
An Anthology Melvin Miller Rader. become symbolical of numerous other things with which it has become associated . Now this simple case presents in easy form some of the problems which confront us in works of art of all kinds . The form ...
Pagina 383
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic ex- perience . We become impersonal or disinterested . I come to pluck your Berries harsh and crude ...
... becomes ready instead to take any direction we choose . This is the explanation of that detachment so often mentioned in artistic ex- perience . We become impersonal or disinterested . I come to pluck your Berries harsh and crude ...
Pagina 384
... becomes differentiated or isolated from the individualities of things around us . We become less " mixed into " other things . As we become more ourselves they become more themselves , because we are less depend- ent upon the particular ...
... becomes differentiated or isolated from the individualities of things around us . We become less " mixed into " other things . As we become more ourselves they become more themselves , because we are less depend- ent upon the particular ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
THEORIES OF PSYCHOLOGICAL DETACH | 69 |
EMOTIONALIST THEORIES | 81 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET character classicism CLIVE BELL color conception consciousness Croce definition Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic object estheticians existence experience expression fact feeling Giorgione give Herakles human I. A. RICHARDS ideal ideas illusion imagination imitation impression impulse individual inner intellectual intelligence intuition intuitive knowledge JACQUES MARITAIN judgment kind knowledge less lines living matter means ment merely mind moral movement nature organic Othello ourselves painter painting particular peculiar perception philosophers physical picture play pleasure poet poetry possess principle produce Psychology of Beauty pure form RAMON FERNANDEZ reality relations representation rhythm ROGER FRY romanticism sculpture sensation sense sensuous significant form soul spirit thematic variation THEODOR LIPPS theory things thought tion true truth unity VERNON LEE whole word