A Modern Book of Esthetics: An Anthology |
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Pagina 152
We might begin by laying it down that the Moral Good, if it means moral constraint
, is not a good at all, but a necessary (or sometimes perhaps an unnecessary)
evil; while if it means noble habits become a second nature, the Moral Good is a
...
We might begin by laying it down that the Moral Good, if it means moral constraint
, is not a good at all, but a necessary (or sometimes perhaps an unnecessary)
evil; while if it means noble habits become a second nature, the Moral Good is a
...
Pagina 267
become symbolical of numerous other things with which it has become
associated . Now this simple case presents in easy form some of the problems
which confront us in works of art of all kinds . The form of a work of art has a
meaning of its ...
become symbolical of numerous other things with which it has become
associated . Now this simple case presents in easy form some of the problems
which confront us in works of art of all kinds . The form of a work of art has a
meaning of its ...
Pagina 383
As we realize beauty we become more fully ourselves the more our impulses are
engaged . If , as is sometimes alleged , we are the whole complex of our
impulses , this fact would explain itself . Our interest is not canalized in one
direction ...
As we realize beauty we become more fully ourselves the more our impulses are
engaged . If , as is sometimes alleged , we are the whole complex of our
impulses , this fact would explain itself . Our interest is not canalized in one
direction ...
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Sommario
VOLUNTARISTIC THEORIES O | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole