A Modern Book of Esthetics: An Anthology |
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Pagina 229
But the so - called formalists have not been content with emphasizing " form " thus broadly interpreted . They have sought to isolate the factor of sheer abstract design , to the exclusion of connotations and representations .
But the so - called formalists have not been content with emphasizing " form " thus broadly interpreted . They have sought to isolate the factor of sheer abstract design , to the exclusion of connotations and representations .
Pagina 461
Whenever so - called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unperceived , ignored or denied , the situation consists of affairs in which the problem has not been ...
Whenever so - called means remain external and servile , and so - called ends are enjoyed objects whose further causative status is unperceived , ignored or denied , the situation consists of affairs in which the problem has not been ...
Pagina 464
It makes little difference what the source and the character be called . By strict logic it makes literally no difference . For if the quality of the esthetic experience is by conception unique , then the words employed to describe it ...
It makes little difference what the source and the character be called . By strict logic it makes literally no difference . For if the quality of the esthetic experience is by conception unique , then the words employed to describe it ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word