A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina xxxi
... called ) loses by his iso- lation and corresponding pride , and by the emasculation of his art , no longer conceived as intellectual , but only as emotional in motivation and significance ; the workman ( to whom the name of artist is ...
... called ) loses by his iso- lation and corresponding pride , and by the emasculation of his art , no longer conceived as intellectual , but only as emotional in motivation and significance ; the workman ( to whom the name of artist is ...
Pagina 147
... called beauty " objectified pleasure . " My whole little book The Sense of Beauty was written from a subjective point of view , and nothing was further from me than a wish to hypostatize either beauty or pleasure . Even now , when I ...
... called beauty " objectified pleasure . " My whole little book The Sense of Beauty was written from a subjective point of view , and nothing was further from me than a wish to hypostatize either beauty or pleasure . Even now , when I ...
Pagina 464
... called emotion in daily life , the statement is demonstrably false . For emotion in its ordi- nary sense is something called out by objects , physical and personal ; it is response to an objective situation . It is not 1 Ducasse , in ...
... called emotion in daily life , the statement is demonstrably false . For emotion in its ordi- nary sense is something called out by objects , physical and personal ; it is response to an objective situation . It is not 1 Ducasse , in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words