A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 187
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 320
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
Pagina 356
... character," just as Lucas or Sorolla, Dickens or Galdos have character but not style. On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del ...
... character," just as Lucas or Sorolla, Dickens or Galdos have character but not style. On the other hand the eighteenth century, which possesses so little character, possesses style to the point of saturation. — La Deshumanizacion del ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word