A Modern Book of Esthetics: An Anthology |
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Pagina 187
a even when a character comedy has a proper noun as its title , this proper noun is speedily swept away , by the very weight of its contents , into the stream of common nouns . We say “ a Tartuffe , ” but we should never say “ a Phèdre ...
a even when a character comedy has a proper noun as its title , this proper noun is speedily swept away , by the very weight of its contents , into the stream of common nouns . We say “ a Tartuffe , ” but we should never say “ a Phèdre ...
Pagina 320
In giving preference therefore to the term “ impersonal ” to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal ” character of ...
In giving preference therefore to the term “ impersonal ” to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal ” character of ...
Pagina 356
That is why the Zurbaran enthusiast, not knowing what to say, says that his pictures have "character," just as Lucas or Sorolla, Dickens or Galdos have character but not style. On the other hand the eighteenth century, which possesses ...
That is why the Zurbaran enthusiast, not knowing what to say, says that his pictures have "character," just as Lucas or Sorolla, Dickens or Galdos have character but not style. On the other hand the eighteenth century, which possesses ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete condition connection consciousness consider contemplation created definition desire direct Distance distinction distinguished effect elements emotion enjoyment essential esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression individual interest intuition judgment kind knowledge less lines living look material matter means ment merely mind moral move movement nature never object organic ourselves painting particular perhaps physical picture play pleasure possess possible practical present principle produce pure question reality reason relations represented result seems sense significance social soul speak spirit theory things thought tion true truth unity whole