A Modern Book of Esthetics: An Anthology |
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Pagina 187
even when a character comedy has a proper noun as its title , this proper noun is speedily swept away , by the very weight of its contents , into the stream of common nouns . We say " a Tartuffe , " but we should never say " a Phèdre ...
even when a character comedy has a proper noun as its title , this proper noun is speedily swept away , by the very weight of its contents , into the stream of common nouns . We say " a Tartuffe , " but we should never say " a Phèdre ...
Pagina 320
In giving preference therefore to the term " impersonal " to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal " character of ...
In giving preference therefore to the term " impersonal " to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal " character of ...
Pagina 356
That is why the Zurbaran enthusiast, not knowing what to say, says that his pictures have "character," just as Lucas or Sorolla, Dickens or Galdos have character but not style. On the other hand the eighteenth century, which possesses ...
That is why the Zurbaran enthusiast, not knowing what to say, says that his pictures have "character," just as Lucas or Sorolla, Dickens or Galdos have character but not style. On the other hand the eighteenth century, which possesses ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word