A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 74
... color are superposed . A beautiful country house , for example , is one which causes us to imagine , before experiencing , the comfort of living there : it is a dream of a house . The perception of the imaginative character of beautiful ...
... color are superposed . A beautiful country house , for example , is one which causes us to imagine , before experiencing , the comfort of living there : it is a dream of a house . The perception of the imaginative character of beautiful ...
Pagina 182
... colors and forms , and since he loves color for color and form for form , since he perceives them for their sake and not for his own , it is the inner life of things that he sees appearing through their forms and colors . Little by ...
... colors and forms , and since he loves color for color and form for form , since he perceives them for their sake and not for his own , it is the inner life of things that he sees appearing through their forms and colors . Little by ...
Pagina 234
... color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its ...
... color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words