A Modern Book of Esthetics: An Anthology |
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Pagina 74
The shaped marble of the statue is not , but is as if it were Aphrodite ; the Fête Champêtre attributed to Giorgione is only a patch of colors , but is as if it were figures in a landscape ; and Eva LeGallienne is not , yet is as if she ...
The shaped marble of the statue is not , but is as if it were Aphrodite ; the Fête Champêtre attributed to Giorgione is only a patch of colors , but is as if it were figures in a landscape ; and Eva LeGallienne is not , yet is as if she ...
Pagina 182
This one applies him- self to colors and forms , and since he loves color for color and form for form , since he perceives them for their sake and not for his own , it is the inner life of things that he sees appearing through their ...
This one applies him- self to colors and forms , and since he loves color for color and form for form , since he perceives them for their sake and not for his own , it is the inner life of things that he sees appearing through their ...
Pagina 234
When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed .
When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed .
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word