A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 198
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
Pagina 221
... complete , even to its own detriment , and it does not feel itself complete unless it appeals to the intelligence . The desire to judge , and to order one's life by judgment , concerns more than mere abstract activity ; it is no ...
... complete , even to its own detriment , and it does not feel itself complete unless it appeals to the intelligence . The desire to judge , and to order one's life by judgment , concerns more than mere abstract activity ; it is no ...
Pagina 368
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word