A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 99
... conception of beauty , which confuses the whole matter ? The latest and most comprehensible definitions of art , apart from the conception of beauty , are the following :-( 1a ) Art is an activity arising even in the animal kingdom ...
... conception of beauty , which confuses the whole matter ? The latest and most comprehensible definitions of art , apart from the conception of beauty , are the following :-( 1a ) Art is an activity arising even in the animal kingdom ...
Pagina 284
... conception thereof, I entirely refuse to allow. The extremist idea seems to be that so long as we recognize what the object is intended for— a house, a tree, a human being— the formal values will fuse with our general concept of house ...
... conception thereof, I entirely refuse to allow. The extremist idea seems to be that so long as we recognize what the object is intended for— a house, a tree, a human being— the formal values will fuse with our general concept of house ...
Pagina 331
... conception . Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying ...
... conception . Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word