A Modern Book of Esthetics: An Anthology |
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Pagina 127
We must , however , avoid making too much of the separation of which we have just been speaking : the distinctions , indeed , are too easily emphasized , and the connections too often lost sight of by theoretical writers .
We must , however , avoid making too much of the separation of which we have just been speaking : the distinctions , indeed , are too easily emphasized , and the connections too often lost sight of by theoretical writers .
Pagina 367
... a government , again I must needs establish their connections with the human efforts of the past , their causes and ... connection has been an assistance in the world of men and things , of nature and civilization in which we live .
... a government , again I must needs establish their connections with the human efforts of the past , their causes and ... connection has been an assistance in the world of men and things , of nature and civilization in which we live .
Pagina 371
Science is connection , but not every connection is science ; art is isolation , but not every isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be ...
Science is connection , but not every connection is science ; art is isolation , but not every isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but that would not be ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word