A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 8
... conscious- ness " is relative , and consequently the difference between conscious and unconscious activities is not as clear - cut as people usually assume . One can only say that the more conscious an activity is , the more it ...
... conscious- ness " is relative , and consequently the difference between conscious and unconscious activities is not as clear - cut as people usually assume . One can only say that the more conscious an activity is , the more it ...
Pagina 9
... conscious and voluntary activity of man through which he gives himself and others a certain pleasure separated from practical interests and communicated to him through one of the two upper senses ( sight and hearing ) . This definition ...
... conscious and voluntary activity of man through which he gives himself and others a certain pleasure separated from practical interests and communicated to him through one of the two upper senses ( sight and hearing ) . This definition ...
Pagina 42
... conscious self - deception also in the other arts , I think it is admissible to include it among the other plays , always with the proviso that consciousness of the sham character of the act is not necessarily present , but may be . The ...
... conscious self - deception also in the other arts , I think it is admissible to include it among the other plays , always with the proviso that consciousness of the sham character of the act is not necessarily present , but may be . The ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words