A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 21
which we shall now consider are directly based upon illusion ; the pleasure which they call forth is a pleasure in illusion . The essential feature of them is that the player has the consciousness of playing a rôle , i.e. , he imagines ...
which we shall now consider are directly based upon illusion ; the pleasure which they call forth is a pleasure in illusion . The essential feature of them is that the player has the consciousness of playing a rôle , i.e. , he imagines ...
Pagina 27
Now , besides these , there is a multitude of dramatic illusion games , which one can consider similarly as direct preliminary stages to dramatic art . When a child sitting on his father's knee plays " Hopp , hopp , Reiterlein ...
Now , besides these , there is a multitude of dramatic illusion games , which one can consider similarly as direct preliminary stages to dramatic art . When a child sitting on his father's knee plays " Hopp , hopp , Reiterlein ...
Pagina 122
HENRY RUTGERS MARSHALL BEAUTY AND PLEASURE As soon as man learns to feel the value of beauty in nature and in art , he is most naturally led to consider the esthetic failure of the great mass of objects that surround him .
HENRY RUTGERS MARSHALL BEAUTY AND PLEASURE As soon as man learns to feel the value of beauty in nature and in art , he is most naturally led to consider the esthetic failure of the great mass of objects that surround him .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word