A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 21
... consider themselves animals or robbers or Hus- sars . I recollect the time when I read Schwab's Tales from Classical Antiquity . I used to throw sedulously with lance- shaped switches at bushes in the garden , and I know I con- sidered ...
... consider themselves animals or robbers or Hus- sars . I recollect the time when I read Schwab's Tales from Classical Antiquity . I used to throw sedulously with lance- shaped switches at bushes in the garden , and I know I con- sidered ...
Pagina 100
... consider it as a means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech ...
... consider it as a means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech ...
Pagina 122
... consider the esthetic failure of the great mass of objects that surround him . As naturally does he long to find some means by which he may infuse this loved beauty into his surroundings ; some princi- ple by the application of which he ...
... consider the esthetic failure of the great mass of objects that surround him . As naturally does he long to find some means by which he may infuse this loved beauty into his surroundings ; some princi- ple by the application of which he ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words