A Modern Book of Esthetics: An Anthology |
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Pagina 297
And this wish is again something different from the observed arm and the merely
contemplative self . ... But now , when I am completely engrossed by the
contemplation of the movement , I am completely carried away from that which I
am ...
And this wish is again something different from the observed arm and the merely
contemplative self . ... But now , when I am completely engrossed by the
contemplation of the movement , I am completely carried away from that which I
am ...
Pagina 303
III my own bodily state are entirely absent in esthetic contemplation . But
perchance the sense - feelings which I impute to the object of contemplation ,
have some significance for esthetic enjoyment . This I must deny no less
emphatically .
III my own bodily state are entirely absent in esthetic contemplation . But
perchance the sense - feelings which I impute to the object of contemplation ,
have some significance for esthetic enjoyment . This I must deny no less
emphatically .
Pagina 377
ETHEL D . PUFFER The ESTHETIC REPOSE Esthetic feeling arises in the
contemplation of a beautiful object . But what makes an object beautiful ? To go
still further back , just what , psychologically , does contemplation mean ?
ETHEL D . PUFFER The ESTHETIC REPOSE Esthetic feeling arises in the
contemplation of a beautiful object . But what makes an object beautiful ? To go
still further back , just what , psychologically , does contemplation mean ?
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole