A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 295
... contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some purpose in mind if I extend my arm for a certain purpose . And the caprice or the purposefulness is ...
... contemplation of the arm or the contemplated arm . Rather , it is connected with my mood if I extend my arm from caprice , or with some purpose in mind if I extend my arm for a certain purpose . And the caprice or the purposefulness is ...
Pagina 303
... contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the contemplated object . And to ...
... contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power , the pride . Only this lies for my contemplation immediately in the contemplated object . And to ...
Pagina 377
... contemplation of a beauti- ful object . But what makes an object beautiful ? To go still further back , just what , psychologically , does con- templation mean ? To contemplate an object is to dwell on the idea or image of it , and to ...
... contemplation of a beauti- ful object . But what makes an object beautiful ? To go still further back , just what , psychologically , does con- templation mean ? To contemplate an object is to dwell on the idea or image of it , and to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word