A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 288
... contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of ...
... contemplation . Attention is not aware of itself ; it is directed outward to the object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of ...
Pagina 301
An Anthology Melvin Miller Rader. the same time realized in the act of contemplation . This takes place the more certainly , the more I am absorbed in the contemplation . The " absorption " liberates the above- mentioned tendency or ...
An Anthology Melvin Miller Rader. the same time realized in the act of contemplation . This takes place the more certainly , the more I am absorbed in the contemplation . The " absorption " liberates the above- mentioned tendency or ...
Pagina 377
... contemplation of a beauti- ful object . But what makes an object beautiful ? To go still further back , just what , psychologically , does con- templation mean ? To contemplate an object is to dwell on the idea or image of it , and to ...
... contemplation of a beauti- ful object . But what makes an object beautiful ? To go still further back , just what , psychologically , does con- templation mean ? To contemplate an object is to dwell on the idea or image of it , and to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words